Robot 2.0 review: Great story of Birdman

Robot 2.0 review: Great story of Birdman

2.0 Story: Dr Vaseegaran (Rajinikanth) along with his android helper Nila (Amy Jackson) are called in for assistance following phones start mysteriously flying from the hands of men and women in Chennai. Vaseegaran summons his reliable robot Chitti (Rajinikanth) to ward off the bird-shaped supernatural forces of Pakshirajan (Akshay Kumar).

2.0 Overview: South movies and filmmakers appear to get a deal on out-of-the-box tips for cinema. Director Shankar has dabbled with this kind of high-concept films like Robot (2010, Tamil name Enthiran) and that I (2015) earlier, also. While he is no stranger to depicting far-fetched and imaginative thoughts, the exceptional narrative of 2.0 does feel somewhat underwhelming, particularly in the aftermath of the spectacle produced by the CGI-driven implementation. The slick visual demonstration however, more than makes up for what the narrative lacks.

The surprises and twists of 2.0 are foreseeable and also that the narrative follows the template set by the initial movie, doesn’t actually increase the experience. However, Shankar’s vision along with his group’s technical wizardry with all the visual consequences produces a positive effect. Akshay Kumar’s shape-shifting antagonist Pakshi, composed of tens of thousands of cellphones is striking to say the least. There are lots of moments in the film which are quite memorable too. The sight of phones covering an whole street, a woods and forming the giant eagle, are certainly’wow’ worthy. Nevertheless, the scientific explanations supplied for telekinetic control of cellular phones and also the antagonist’s supernatural skills are not all that persuasive. Even so, this is a Rajinikanth film and questioning cinematic freedom and logic-defying imagination is unwarranted.

Rajinikanth’s presence and performance dominates the story. Shankar’s screenplay provides fans of the celebrity plenty of minutes to cheer for, especially with the fact that there aren’t two or one, but three iterations of the autonomous personality Chitti. Not only that, the one-liners from the film and also the reference Rajini’s numero uno status provides the fans a lot to cheer for. Akshay Kumar also gives a good performance as the antagonist, particularly in the flashback that shows his personality’s ornithology background. The existence of both of these superstars is among the chief reasons why 2.0 feels just like a grand, big-ticket film.

The makeup and outfits are highlights of this film, also. The attempt to make Akshay’s personality is actually comprehensive you do not have to be a VFX professional to realise the personalities of 2.0 really appear authentic. The background score by AR Rahman and Qutub-E-Kripa additionally adds to sense of the futuristic movie. While the film definitely appears world wide, the writing does not always fulfill the expectations. It is Rajinikanth and Akshay Kumar’s star power that actually saves the day with this magnum opus.

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